Category Archives: general

posts about general topics, even not related to computer games

Size does it matter!

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In the picture above, my cat Tofu is exhausted by the heat

Regarding the blog post title, I am not referring to what you think! I am talking of course about a game’s size πŸ˜‰

From time to time, I get asked the usual question “when game XYZ will be out”. It’s because of that if I made a thread in my forums where I TRY (more or less sucessfully!) to keep track of the status of my various projects: http://winterwolves.net/viewtopic.php?f=33&t=3128

The main thing is, that I think I went a bit overboard with some projects. I won’t make names, but projects which have over 6 love interests… and maybe aren’t even normal dating sim, but RPGs!

I often ask for advice and feedback from users. Many times, it is very useful. Sometimes, not. A classic situation is this: I announce a new game, and a list of romances. Inevitably, someone is unhappy and writes the infamous “aww why I can’t romance character X!? sigh sob”. And too many times I changed my plan, to make everyone’s happy. But it was a bad move πŸ™‚

Of course, it’s all my fault. It’s not like the users know what’s behind making a game or anything. They just look at what they will get, and of course they want more, or they want what they like (a specific character, a romance combo, etc).

Anyway, the thing is simple: you can’t think to have a game of over 100,000 words, or with a crazy amount of romances (8 characters or more) and hope to have it done in a year or so. I mean, it’s possible: look at PSCD! Writer made everything in about a year, over 200k words, 16 romances. Or Queen Of Thieves, under 6 months to write 150k words and 12 romances. But those are exceptions, not the rule πŸ™‚

For example, Roommates took about 2 years to write (2 playable characters and 6 romances), Heirs & Graces too (4 romanceable characters, all yaoi), and so on. It’s very rare that a complex game is written in around a year.

The process itself

I’ll try to explain how it works, “behind the scenes”:

  1. I want to write game XYZ. Sometimes I post in forums/social media, other times people come to me with ideas, etc. Anyway, decision is made to start working on game XYZ.
  2. unless the idea was submitted by a writer, I need to look at the various writers submissions/portfolios before deciding who will write it. Once I decide, I can do on step 3.
  3. writer starts to write game XYZ
  4. writer sends me updates as he/she writes. I read it and give feedback. Usually, all it’s OK though
  5. if all goes well: repeat steps 3-4 until the game script it’s done. Might take a long time, since writing is not like coding, you need to gather inspiration, etc. But usually it’s done.
  6. if something goes wrong: here comes the troubles! It can be any reason. Health issues, daily job, etc. Anything, but there’s something that prevents writer from going on. In this case, I need to repeat step 2, until I find a suitable replacement writer.

Step 6 though can be much harder than it seems. Maybe the new writer is OK with what the other/previous writer did. Or maybe not, so he/she wants to rewrite it from scratch, because is faster, or because the style is too different, etc.

We all know the infamous legend of THE CURSED GAME (which shall not be named). In practice, for that game I repeated the first 4 steps, and then the 6th, for THREE TIMES already. For three times the story was started and then abandoned. And the new writer(s) decided to start from scratch every time… And if steps 1-4 could take 3-4 months each, you can see how it’s easy to “waste” already one year, without making any real progress!

What’s the solution?

Recently I started to think about a way to avoid this. Because it’s becoming a real problem, especially for some bigger games. And I think I got a possible solution: go back to make storyboards myself.

In the past, I used to spend quite some time making a sort of storyboard/draft of the story. In practice a sort of guideline of what happens in each scene. They would look something like this (remember this is my bad writing!):

##SCENE 02 ##
#Time: morning, ice cream shop. Amy is helping Lawrence since she can’t find inspiration to write poetry, besides today seems a very busy day. They’re working, when a customer behaves badly. It can be anything, either he refuses to pay pretending the ice cream is bad, or something else. Should be a petty excuse for not paying. Amy starts arguing with him saying that he must pay, when the man wants to leave, and pushes Amy out of the way. She almost falls down, and is furious. Lawrence runs there, and apologizes for Amy’s behavior and tells the guy that he can go now. The man leaves with a grin.
#CHOICES

Β (yes it’s an excerpt from Never Forget Me storyboard!).

With a clear storyboard, detailing what happens in each scene, even if I have to switch/replace the writer mid way, it should be possible to keep what has been already written, maybe just review the texts, but not discard everything and start from scratch like happened too many times in the past!

I’ll need to spend a bit of my time doing this (Never Forget Me storyboard took me about a month to make) but probably in the long run it will save me a lot of time!

Of course, even using this system, if a game has a lot of romances or two playable genders, it will still take a lot of time to make. There’s no shortcut to write a long AND good story πŸ™‚

A roleplaying Summer!

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In the screenshot above, Arianna in her “Queen Of Thieves” outfit, and a young Lysander

I am now scripting the Queen Of Thieves last main plot scenes, which include some flashbacks: the man you see above is Lysander when he was young. He stilll does have his beard though πŸ™‚

I’m also using the new map of Aravorn that I had recently redone by a new artist. I must say that even zoomed in, it still looks good:gamemap

So now when there are flashback/main plot scenes I can show the time/date but also the place using the map. The scenes aren’t many, but there are 4 CGs, all featuring Arianna… and some are VERY spicy. OK, I think I have said already enough!! πŸ˜‰

As I said in previous post I will take my time and not rush things to avoid burnout, also considering that I still have to officially release Heirs & Graces and PSCD free update. They’re in a very advanced state though, so that shouldn’t take much longer.

Back to the title of this post, even taking things easier, it’s quite likely that the Queen Of Thieves testing will take place this Summer, with just a disclaimer: if it will be hot like past year (one month and half, whole July and up to mid-August, with temperatures constantly over 38Β°C!) I will probably be able to work just a few hours in the morning! Anyway, even if I surely won’t be working/updating the game as I did with SOTW (that game was quite a marathon!!) I should still be able to do a few updates based on testing feedback.

All things considered, the beta COULD begin at end of June. In the worst case, it should be July.

But that’s not enough: for me will be a real “Summer RPG” because I’ll also start doing the design for Undead Lily. No coding, just planning on paper/flowchart, thinking about the combat, skills, etc. That’s what will keep me busy this Summer. What can I say, some people go on holiday in tropical islands and have fun, while others code and design RPGs! πŸ˜€

Undead Lily Ace romances sneak peek

Speaking of Undead Lily game, a few weeks ago I posted the Lily’s romance sneak peek. Now it’s Ace’s turn! As you can see even Ace has some interesting “romantic moments” in the game as well!

aceromances

Avoid “Burnout” as indie

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My cat Mirtillo doesn’t look very burnedout…

Wikipedia defines “burnout” as: Burnout is a type of psychological stress. Occupational burnout or job burnout is characterized by exhaustion, lack of enthusiasm and motivation, feelings of ineffectiveness, and also may have the dimension of frustration or cynicism, and as a result reduced efficacy within the workplace.

Now, I absolutely love my job. I wouldn’t be doing this if I didn’t love it. However, even indies can suffer from burnout problems.

When you work for yourself, without a boss, it’s easy to forget that you still need to take breaks and relax. And that not necessarily working more will bring better results.

I noticed this myself in the recent years. Personally, I think I’m very resistant to burnout, but it still happened. I think the main issue is that you are so absorbed in your work, in what you love, that you “forget” to take breaks. When you work in a office doing a job you hate, or even just don’t like it particularly, you’re eager to take breaks and holidays!

It’s not only the work itself though: also the “release stress”. Whenever you release a new game, there’s a lot of stress involved. How it will do? Is there any bug left? etc. Talking with other indies, it’s well known that the release day/week is one of the most stressing periods in the life of an indie. Then, there’s also the normal stress when things aren’t going well, sales are low, or you’re struggling with the development for whatever reason.

All this stress can lead to burnout as well.

Possible solutions

So, now that we know even indies can suffer from burnout, what are the solutions? First of all: take things easier. Luckily for us, we’re not doing “critical mission” software. A nuclear plant won’t blow up if there’s a bug in our code! We won’t go bankrupt (hopefully) if a few people don’t like our game. As long as enough people like it, will be fine. It’s OK for some (or many!) people to say that our game is bad. It’s not OK to insult you, but they’re going to do it anyway, so why worry or get angry? πŸ™‚

Another very important thing, not just for indies, but for any creative job, it’s to take “full breaks”. I mean, stop completely working, for a week or two (usually for me is never more than a week though).

Do other things: read, walk, bike, go out, watch movies, play other games, etc. Whatever you like to do, that is not related to your job.

It really helped me many times when I felt I had “no strength left”. It also helped me to regain “inspiration”. I suspect will be the same for artists/writers/designers/etc.

You might think that you “lose time”, when you take breaks. In some cases yes, but personally I found that in many cases it wasn’t lost time. Not at all! A lot of positive things happened: while playing other games, I got ideas on how to do some gameplay changes in my games. While watching movies/tv series, I got ideas for new games stories. And even when I didn’t get any “inspiration”, I was well rested and relaxed so when I resumed working I was going twice as fast as I would have if I didn’t take the break.

In conclusion

That’s why even if I’m at good point both with Heirs & Graces and PSCD DLC betas, once they’re done, I’ll take a short break before jumping back immediately to work on Queen Of Thieves RPG coding: I’m doing the new main plot scenes now, but that’s just basic scripting so really something easy compared to the RPG part.

Even if the “pressure” is high, even if a lot of people are eager to play it. I really need the break to do a better job later πŸ™‚

The wind of change

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Need to give credit to my wife for the nice photo above!

And now after writing this title, I have the good old Scorpions’ song stuck in my mind!

“Listening to the wind of change” or better listening to the critiques, to suggestions by other more experienced indie, and listening to my heart πŸ˜‰

Between this and last year I have learned a lot, and I’ve decided that (after the current “batch” of games is done) it’s time to change:

  • no more “insanely huge epic games”. I know, I know. Everyone would like very big, long games (even if honestly I haven’t finished yet some AAA titles because… they were too long!). Anyway, I’ve realized it’s not possible anymore, with the exception of a few titles like could be Loren 2 and Roger Steel (big RPGs) to make games too big. I’m talking from the story point of view. I want to have a good story, but also add more gameplay. When I talk with more successful indies doing the same kind of games, I’m often surprised to see that their wordcount is always not even half of my most recent titles!
  • story based on the gameplay, and not vice versa. When I will make more “hybrid games”, apart of course the usual VN/Dating sims/RPGs, I will first decide the gameplay and then craft the story around it, or at least design them at same time. This is even more important for “experimental games” like PSCD was. In that case it was a mess (because of first coder quitting) but in general for my own games it’s not wise to have a story written and then have to code the gameplay around it. The result can’t be good. So, first design the gameplay, and then have a story to complement it.
  • much clear separation of genres. One of the strong points of my games (based on what OTHER people say, so it’s not my opinion) has always been the mix with visual novel and other gameplay genres. Well, there will still be this. But if the two genres don’t work well together (like visual novel and card games) doesn’t make sense to mix them, better have two separate games. Or if I still want to have story and gameplay, the story cannot be 200k word long, 10+ romances, etc. It’s just not possible to do that in the current climate, to have a huge story AND good gameplay. I should price the games over $30, and that’s honestly not going to work anymore right now, so it’s not really my choice! So instead of that, a card game for $9.99 and a story-based game for $19.99 for example (just a simple example of what I mean).
  • less grinding, more fun. For the dating/raising sim, one of the major complaints of my past games was the grinding. I’m definitely going to address that. For the record, I don’t consider grinding using a scheduler like Roommates. More like the various activities in Nicole to reach the required stats. Love Bites should be a good example of a dating sim with stat raising but not grinding. For the RPGs instead, I’m going to leave it. Since many RPG players like to grind! πŸ˜‰
  • gameplay-only games. I had already announced this, and it’s also related to future card games. I’ll make more (not just card games, even other genres) games like this to be sold at cheaper price, since I think is good to have a bit of variety over the dating sims/RPGs/VNs.
  • shorter but full of branching story-games. As you know I want to make a CYOA/old gamebook style game in future, illustrated with pictures. Well, that one won’t be 100k words, but even if it’s only 50k words will have a lot of branching. After all Bionic Heart has one of the highest review rating on Steam of all my games, and it’s just a little more than 50k words! Of course, I won’t write the games myself, only the storyboards.

OK I think I’ve explained enough! For many games that will be out (even next year) the things above won’t apply since I started them time ago, so they will still have maybe some grinding or be really “too big” (but of course since the text has been already written, it’s not like I’ll cut it down!).

But in future, doing the things above, I should be able to release games more regularly, and some of them cheaper than usual (which in the current climate seems very important) and even if the word count might be lower, the overall fun (and critic/players reception) will probably be higher. At least that’s what I hope, we’ll see!

For those wondering about the progress on games, I made a sort of estimate release schedule in my forums, which I copy paste here:

END OF MARCH
– launch C14 Dating on my site “soft release”. Probably on Steam towards end of April or early May
– finish all the QoT romance coding (not much left)

APRIL
– Forsaken and artist should finish the last scenes/CG for QoT
– I will take a look on Heirs & Graces and probably code the gameplay and start the beta maybe (though could be delayed to May)
– decide what to do with Undead Lily gameplay, possibly a RPG. Make a detailed storyboard this time :)
– probably do the PSCD extra romances free add-on (though could slip into May)

MAY
– Heirs & Graces beta
– Queen Of Thieves beta

JUNE
– hopefully release of both Heirs & Graces and Queen Of Thieves, but this last one could be delayed to July

JULY-AUGUST
– it’s likely that will be too hot to work as usual, plus I might want to take a break considering the insane amount of releases this year! I might do a few prototypes for new games though

SEPTEMBER
– Love Bites beta (though it’s just too early to say it now)

That’s all for now! Happy Easter by the way πŸ™‚

Trying “something different”

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Love Bites character introduction will continue in next weeks, don’t worry πŸ™‚ Today instead I wanted to talk about the current status and my future plans.

But first a short announcement! C14 Dating is now officially in beta! Which means you can preorder the game and play immediately using the beta link on my forums. Check the official page now: http://winterwolves.com/c14dating.htm
If all goes well the game should be out of beta at end of the month or early April πŸ™‚

All is well!

First of all, despite what I’m going to say I want to reassure everyone that all is well for me, despite the lack of releases last year, and the delays I had. I have now found a good group of people to work with, and unless some of them quit, I think I should be able to keep producing my current kind of games for years to come (as long as people keep buying them! :D).

However, I feel the need to try doing “something different”. As I posted in forums a few days ago, I will still keep doing my usual visual novel/dating sim/RPGs. That will neverΒ  change. But a bit for my “indie growth” and also to have games that I can develop more independently, I will TRY (since I am quite rusty and not sure what I’ll actually manage to do) to make different games.

So it will be like: I’ll release my usual 2-3 games a year (this year might be more, but it’s really a rare occasion and not sure when this will happen again!) and maybe 1 “different game” every 2 years or so.

I will always keep as priority my current game types, but in the past often I had some “dead periods”, where every writer/artist/musician had a task to finish, and my job was simply to manage everything, since I couldn’t go on with the game(s) until I had the new assets (art, writing, etc).

Before, I used to start new games since I don’t like staying idle (I love doing games but in general as a person I really hate doing nothing, I must always keep myself busy!). The problem is that in the past year I found this has several downsides:

  • first of all, it adds yet another game to manage, with the usual problems
  • it also adds more expenses! art, music, writing
  • can slow me down MORE, if all people start sending me art/writing/music to check at same time! (it’s also very stressful)

As you can imagine, it’s not like adding a new game in progress brings me more revenues, until it’s done. In the immediate, brings only more work and management. So uh, yeah, you cannot start new games continuously as a solution to fix the “wait problem”! Because then if you do that a lot, it can happen like now, when I am overwhelmed by people sending me stuff all at once and (rightfully) asking to be paid for their work πŸ˜€

What is the solution then?

That’s the question that I’ve been asking myself in the past weeks. And I think, at least I want to try, that the solution might be to have a game in which writing is not needed, or the scope must not be “Epic RPG with 150 different battles, over 112 unique enemies, 90+ skills, random item generator, improvedAI, isometric map” (yes, I’m talking about you, SOTW!).

Now you might be wondering: “weren’t you burned by the coding? didn’t you said you wanted to make simpler games?”. Indeed, I am. I believe (I could be wrong of course, but I think not) that the main problem of games like SOTW was that there was just too much work, too many skills, battles, custom conditions, etc. and all of this, on top of the story part!

I believe that it should be possible to pick different game types and plan cleverly the design, to actually have to do less work. I have already some vague ideas, which of course will need to be developed and tested more.

It might be a different game style, or an art style. Rogue lite/like (however you want to call it!), strategy/wargames, pokemon-battles style, life sim, match3/RPG combo etc but even pixel art games (I’m not trying 3D, too hard for me). I’m leaning towards games without a story, but even a pixel-art adventure: it would still have much less text than a visual novel for sure! πŸ™‚

The main advantage is that I need to commission only the game art/music, and then I could code those games in full autonomy without need to wait for text, or if it’s still a story based game, the reduced length wouldn’t make me wait for months to get the writing done (and it’s not a problem of slow writers, to write a good story simply takes time).

The big disadvantage of course is that my current public is probably not interested much in games without romance/story, so promoting it would probably happen mainly on Steam.

Anyway I want to make a few attempts and see how it goes. After all, I wouldn’t have made Planet Stronghold and then Loren if I never tried to make something new, besides my usual VN/Dating sims!

In summary: nothing changes vs now, I’ll still do the current game types, but will stop starting new games continuously whenever I have a moment of “free time”, and work on those “other games” instead, hoping that they’ll bring some extra revenue on the side (instead of adding another project to manage and to pay writer, artists, etc).